Big clients, live events, advanced color, VFX, scripted comedy, and the odd jobs nobody else wants to quote. No package, no menu — tell me what you need and we'll work out the number together.
Scoped per project · no menuLet's discuss
Streaming, broadcast and national-brand work — the projects that came in without a template.
If it's on this list, or it's nothing like anything on this list, start here.
Multi-stakeholder projects with real deadlines and real review cycles. Credits across AMC/Shudder, Intel, Billboard, The Hollywood Reporter and Games With Names.
Multi-camera live capture, conferences, performances and full-day event coverage — shot, cut and delivered fast.
Full grades, look development, matching across cameras and shoot days, and rescuing footage that came in wrong.
Compositing, cleanup, motion graphics, screen replacements and effects work — including VFX delivered for Games With Names.
Written, directed and cut. Comedy shorts, sketch and narrative work — including THE LAWYER. Story and timing are the job, not just the camera.
The jobs that don't have a name. Archive projects, re-cuts, format conversions, salvage edits. Ask.
Anything outside the standard scope, priced up front.
| Add-on | Unit | Rate |
|---|---|---|
| Advanced color correction | Per hour | $75 |
| VFX, motion and graphics | Per hour | $90–100 |
| Live event coverage | Per day | From $950 |
| Scripted / comedy — direction and edit | Per project | Quoted |
| Miscellaneous editing | Per hour | $75 |
| Big-client / agency project | Per project | Quoted |
| Rush delivery — under 48 hours | Per piece | +$125 |
| Travel beyond 50 miles of the South Shore | Per mile | $0.70 |
Nothing here has a fixed price because nothing here is the same twice. Tell me what you're trying to do and I'll come back with a scope and a number — or tell you honestly that someone else is a better fit.
Tell me what you're making. I'll come back with a plan and a number — usually same day.